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Showing posts with label market. Show all posts
Showing posts with label market. Show all posts

How Literary Agents and Publishers Think


This week I heard from a writer who's pitched to agents and publishers without success. And the query reminded me how important it is for writers to be able to get inside the head of these important gatekeepers. Here's what I want not-yet-published writers to know about how agents and publishers think...

1. HOW AGENTS/PUBLISHERS THINK
When they're reading your proposal, the agent is thinking about what the publisher wants, and the publisher is thinking about what the reader wants. And the reader is thinking about...the reader. The BIG question you have to answer for agents/publishers is, "What's in it for the reader?" Whatever book you are writing HAS TO meet the felt need of the reader. Reader's don't buy books they "should" read, they buy books they "have to" read. Why is the book you're pitching a must-read?

2. HOW AGENTS/PUBLISHERS SEE
Without knowing what book you've written, I will hazard a guess that an agent/publisher has seen this book before. Maybe 100 proposals for this book and 5 that made it to market--saying the exact thing you're saying, in a slightly different way. While that can sound jaded, that's their reality. So whatever message you want to communicate--ideally, in the words of Stephanie Smith, a "timeless truth"--must have a FRESH FRAME. Whether you're communicating that "God is gracious," or "You are loved," or "Kittens are God's gift to the world," the agent/publisher must read your proposal and say, "Hmmm...I haven't heard it quite that way before." Are you saying something in such a fresh way that the agent/publisher wants to know more?

3. HOW AGENTS/PUBLISHERS DECIDE
The #1 rule of good writing is "show, don't tell." Your proposal needs to prove to agents/publishers that your project has FOUR THINGS: (1) a unique and compelling project, (2) a market of people who can't wait to buy this book, (3) a growing platform, and (4) mad writing skills. While I'd love to say that if they love your fresh idea, or if they think you're a great writer, they will take a chance and contract your book, I can't say that. They may WANT to, but to convince a publishing board to publish a book, they really need to see strength in all four areas. If you need to develop one or more of those areas, it might make sense to do that before pitching again. Does your proposal demonstrate that you are offering all four things a publisher needs to see?

The job of your book proposal is to convince the agent/publisher that your project meets the reader's need in a fresh and compelling way, and that you can sell books. To help writers do that, I've got a few free resources online...
1. An Author Inventory helps you mine and mention every asset you're bringing to the table.
2. An Annotated Book Proposal Template offers tips for each section of the proposal. (Not necessary to use this particular template, but do read the tips.)
3. The Book Proposal Checklist helps you review the first draft of your proposal, to make sure it's as strong as it can be.

Help agents and publishers say YES by offering them the strongest proposal you can!

Your Nonfiction Book Proposal: Three Things Every Publisher Must See



In order to say "yes" to a writer's nonfiction book proposal, every publisher needs to see three things:


1. CONCEPT

Your concept is the--fresh, unique, compelling--premise of your book.

A publisher is looking for a book with a unique and compelling concept. The best books serve readers by presenting a timeless truth with a vibrant fresh angle. When publishers read these proposals, they say, "Hmmm...I haven't heard it put quite this way before."

2. PLATFORM

Your platform is how you're reaching audiences.

You must demonstrate that, as an author, you are building a solid platform and is already reaching audiences.

This might be reflected in social media numbers. It might mean you're reaching audiences as a speaker. Or perhaps you write regularly for a popular online magazine.

Although there is no magic formula, an author does need to be reaching readers.

3. WRITING

Your writing is how you organize and express your unique concept.

Your writing captures the reader's attention by engaging him or her with well-organized and beautiful writing.


Could missing one of these three be a deal breaker for a publisher? Unfortunately, yes. While a publisher will occasionally take a chance on a brilliant writer with very little platform, you make it easier for a publisher to say "yes" when you can demonstrate that you are building a platform.

If your book proposal demonstrates that all three of these elements are strong, it will be hard for a publisher to say "no."

If your proposal lacks one or more of these, it will be hard for a publisher to say "yes."





Want to Get Published? 3 Things a Publisher Must See



Note: This is the first post in a series of four: 3 Things a Publisher Must See.*

You have a book in your heart that you'd love to see published. It may even be a great book. A publisher and her editing board need to see three things to say the “yes” you’re hoping for. They need to see: a unique project, a viable market and the right author.

1. A Publisher Needs to See a Unique Project

Although what you're writing may seem fresh to you, know that publishers have already received countless pitches for "My Cancer Journey," "My Eating Disorder Journey," "My Spiritual Memoir.” Does this mean you scrap your project? No. But it does mean that you need to demonstrate how yours is unique. For example, these might catch a publisher's attention:

  • Why Cancer Was The Best Thing To Happen to Me This Year
  • How My Eating Disorder Was Cured When I Won "Biggest Loser"
  • I Was a Satanist High Priest and Now I Love Jesus


Make an editor curious enough to open your proposal! 

One baby step toward publication: Read other books in your genre and identify what, if anything, makes yours unique.

2. A Publisher Needs to See a Viable Market

The publisher also needs to see that there is a market for this book. Who are the readers who will buy your book? What is the felt-need they have that will cause them to purchaser your book, read it and rave about it to their friends? Research the market so that you can demonstrate that there are book-buying readers who need your book.

One baby step toward publication: Develop a one- or two-sentence "elevator pitch" that succinctly communicates the substance of your book, who will read it and what distinguishes it from similar books.

3. A Publisher Needs to See an Author Who Can Write and Promote This Book

A publisher is looking for authors who can write and who can also get that writing before an audience.

You’ve probably author platform—your ability to reach readers—is the most important thing to a publisher. (And it’s pretty important.) But hear this: every publisher wants to publish great writing.

Chapters and pages and paragraphs and sentences and phrases need to engage readers. Your goal is to get a publisher (aka "reader") to read the first sentence of your proposal and want to read the next one and the next one. You may think it’s an editor’s job to give your proposal a thorough reading, but it’s not. Her job is to find quality books to publish. When she is perusing your proposal, she can check out—and check facebook—at any point in the process. Develop your craft so that you can write prose that a reader does not want to put down.

And there’s also that platform business...

Who has platform? Oprah. Rick Warren. Francis Chan.

Intimidated? You don't need to be. You can be building your platform right now by:
  • pitching and writing articles for publications
  • developing an audience for your blog
  • building your speaking resume by speaking places for free: MOPs groups, churches, etc.


The key is finding what works for you and sticking with it.

One baby step toward becoming a great writer: Sign up for a local writing class, sometimes available at city colleges, or attend a writing conference in your area.

One baby step toward building platform: Set a goal to publish one article or story, with a reputable national publication that appeals to the eventual audience for your book, in the next three months.

Cheering you on,
Margot

*Published previously at Wordserve Water Cooler blog.